He
was born on July 11th, 1914, the youngest son of Anibal Carmelo
Troilo and Felisa Bagnolo. He had one brother, Marcos, also a bandoneon
player, and one sister, Chochita, who died some time after her birth. At
the age of 11 "Pichuco" (as his father
called him) discovered his vocation as "bandoneon" player and
after only 6 months of study with a teacher (Juan Amandolare) he was
part of a quintet where he played simple songs. His first
"professional" appearance was animating silent films in the
Petit Colon cinema. Between
1925 and 1930 he involved in some groups: in a trio with Miguel
Nijenson and Domingo Sapia; in a quintet (as a director) in the palece
Medrano
cinema; in Alfredo Gobbi's orchestra and in the Juan Maglio
"Pacho"'s orchestra as second
"bandoneon": In 1930
he waswas incorporated to the sextet Vardano- Pugliese formed by Elvino
Vardano and Alfredo Gobbi in violins; Osvaldo
Pugliese in piano; Sebastian Alesso in contrabass and Miguel Jurado and
Anibal Troilo in bandoneones. He also played in "Los
Provincianos" (1931); The tipica Victor Orchestra (1931), The Julio
De Caro's Symphonic Orchestra(1932), Elvino Vardano(1933); Angel
D'agostino(1934); Juan D'Arienzo (1935), Cuarteto del 900 (1936) and Juan
Carlos Cobian (1937). In 1937 Ciriaco Ortiz broke up his orchestra and Troilo
called some of his former musicians to create his first orchestra. He made
his debut on July 1st 1937 in "Maraba" cabaret with
the following musicians: Reynaldo Nichele, Jose Stilman and Pedro
Sopochnik in violins; Juan Facio in contrabass; Juan Rodriguez, Roberto
Yanitelli and he himself in bandoneones and Francisco Fiorentino in vocals. After Gardel's death the
orchestra singers only sang the songsī chorus till Troilo made the singers shine
being
an authentic orchestra. For this reason he always had very important
singers: Francisco Fiorentino, Armando Mandarino, Alberto Marino,
Floreal Ruiz, Edmundo Rivero, Aldo Calderon, Jorge Casal, Raul Beron,
Carlos Olmedo, Pablo Lozano, Roberto Goyeneche, Angel Cardenas, Elba
Beron, Roberto Rufino, Nelly Vazquez, Tito Reyes and Roberto Achaval. As
a composer he wrote very important songs: "Barrio de Tango" ("Tango
suburb") (Lyrics by Homero Manzi, 1942); "Garua" (Lyrics
by Enrique
Cadicamo, 1943); "Sur" ("South") (Lyrics by Homero Manzi, 1948);
"Che
bandoneon"
(Lyrics by Homero Manzi, 1950);
"Discepolin" (Lyrics by Homero Manzi, 1951); "Una
Cancion" ("A Song") (Lyrics by Catulo Castillo, 1953); "La ultima
curda" ("The last drink") (Lyrics by Catulo Castillo, 1953); "Mi Tango
triste" (My sad Tango) (Lyrics by Jose Maria Contursi, 1953). With a
long trayectory, a lot of contributions to the tango art and with all respect
from the audience and the critics Anibal Troilo died on may 18th, 1975.