The following information was sent by an Ribó’s admirer, referred to the biography of this artist published in El Portal del Tango. We thought her corrections were very precise, so we decided to publish them textually. Thank you very much, MMer610048@aol.com for helping us to make a better Portal every day.
As a fan of Osvaldo Ribo, I’ll tell you that he doesn’t have nine brothers, but ten, and that he is the sixth son. When I found out that they were organizing an homage to Ribó at the Tortoni café on May 14, I travelled to Buenos Aires, specially for being there. I have to tell you that he sings now better than ever. In September 1999, he recorded a CD called “Papel picado” (“Stung paper”), which is also the name of the tango is most often asked to sing in his shows. Besides, he is the only singer who interprets this song. The songs included in this CD are:
1) Papel picado (Stung paper)
2) Shusheta
3) Cortando caminos (Cutting roads)
4) Tormento (Torture)
5) Se llama mujer (It is called woman)
6) Seguíme corazón (Follow me, heart)
7) Milonga que peina canas (A very old milonga)
8) A una mujer (To a woman)
9) Equipaje (Baggage)
10) Guitarra mayor (Major guitar) Lyrics and music by Osvaldo Ribó, dedicated to the great guitarist Roberto Grela.
11) Bohardilla (Attic)
12) Alfred Arnold
13) Una emoción (One emotion)
14) No quiero verte llorar (I don’t want to see you cry)
15) Temblando (Trembling)
16) Una lágrima (One tear)
From the song 13 to the 16, Ribó is accompanied by the brilliant guitar of the late Roberto Grela, and in the rest of the songs, he is accompanied by Hugo Rivas.
Subsequently, I’ll send you a biography written as a homage to this singer:
 
Osvaldo Ribó: An emotion turned into Tango
This is the four meeting of “Contáme una historia” (“Tell me a story”), and in it we find one of the voices of the 40s: Osvaldo Ribó. In a tight synthesis, we can say that he complied with the career of an orchestra singer, and started his soloist career with a defined style and repertory. On August 27th, 1946 he made his debut at Victor company, when he recorded “Sombras” (“Shadows”) by Pracánico and Servetto, and “Una lágrima” (“One tear”) by Verona and Cárdenas, accompanied by the orchestra of Ricardo Tanturi. From that moment on, he was the singer of Tanturi’s orchestra, sharing his duty with Roberto Videla, in replacement of the Uruguayan singer Enrique Campos. Some of the songs that left a mark on the four years he spent with Tanturi were “Alma de bohemio” (“Bohemian soul”), “Remembranza” (“Remembrance”), “Vagabundo” (“Wanderer”) and “Ana Lucía”. But his biggest success, the song that is most related to him is “Papel picado” (“Stung paper”), by Cátulo Castillo. Besides his participation in Tanturi’s orchestra, he worked in many more, such as the orchestras of Alfredo Gobbi, Mariano Mores and Lorenzo Barbero, among others, and he had a soloist career, in which he was accompanied by Roberto Grela. Up to this point, this is a biography of the singer, the artist. From now on, we are going to talk about the friend, the tango lover who had a conduct during his career and who continues singing with pleasure the tango lyrics. “Contáme una historia” wants to thank Osvaldo Ribó for his career, and we thought that the best way of doing that would be in the company of his friends, his family and his audience. That is why, tonight, memories won’t be “Papel picado” (“Stung paper”) but “Puñado de emociones” (“A fistful of emotions”), which are brought by the voice of a “Zorzal entrerriano” (“Thrush from Entre Ríos”), who is more “porteño” (from Buenos Aires) than “Corrientes y Esmeralda” (“Corrientes and Esmeralda Streets”).

Thank you Osvaldo Ribo… This is your night!
 
Gabriel Soria
Titular Academic from the National Tango Academy
 
If you wish to tell us stories related to tango, send us the information to:  info@elportaldeltango.com
Back