Radio

The first radio station that was born in Argentina was called “Argentine Radio Society” and was created by Enrique Susini. The show was called “Parsifal” and was transmitted from the Coliseo Theatre. From the 20s and 30s on, other radio stations were born: Nacional, La voz del aire, America, Cine Paris, Mayo, La porteña, Callao, Rivadavia and many others. Radio creation collaborated with tango success, since many singers became popular after being hired for a radio station. Almost every great musician, such as  Carlos Gardel, Rosita Quiroga, Osvaldo Fresedo, Juan Maglio, Roberto Firpo and Domingo Santa Cruz, worked in a radio station at some point of their careers. In time, radio stations importance grew, the same as their audiences. They broadcasted Carlos Gardel’s concerts from Paris or New York. As a proof of how important radio stations were, we can remember  the interviews made to important tango personalities at the radio show “Tango, autores e intérpretes” (“Tango, authors and singers”) that were compiled in the 1936 book “La historia del tango” (“The history of tango”).

Tango and its dance

Tango is not just for listening, but for dancing too. We can affirm that the first tango dancers were Daniel Molina, Catalina Barsolo, Rufino Olguín, José Sandoval, Francisco Díaz and Feliciano Orsine. On one occasion, these persons were arrested by the police for dancing forbidden music in the streets. But as tango continued popularising, there were more and more dancers. Many actors would perform on stage as tango dancers, such as Elías Alippi did in 1903, at the Ana Podestá theatre. Other famous dancers were Pablo Lento, el Pardo Santillán, Juan Carlos Herrera and el Tano Ponce. But, undoubtedly, the best tango dancer ever was José Ovidio Bianquet, best known as “El Cachafaz” (1885-1942).  He also had international prestige, because he even performed in New York and Paris. Another great dancer was Casimiro Ain, “el Vasco”. He made many tours around the United States, Europe, Brazil and Egypt. Nowadays, tango is still danced. Some of its present dancers are: Liliana Torres Calivar, Miguel Ángel Zotto, Vilma Martínez, Osvaldo Corradini and Luciano Boccucci.

Tango in the big screen

Argentine film industry was born around 1890, when tango was in its greatest expansion. Most of the films were about tango. The first one was “Tango argentino” (“Argentine tango”), which was filmed on 1897 and was even exhibited in Europe because of the great success it had in Argentina.  The next tango film was produced in 1915 and was called “Nobleza gaucha” (“Gaucha nobleness”). It was about couples that danced milongas and tangos in Armenonville. The first Argentine spoken film was “Tango”, produced in 1933. Some of the stars that participated in it were Tita Merello, “El Cachafaz”, Mercedes Simone and Libertad Lamarque. The music of the film was provided by the orchestras of Maffia, Fresedo, Ponzio-Bazán, Donato and D’Arienzo. Some time later, biographic films about tango stars began to be filmed, such as “Mi noche triste” (“My sad night”) about Pascual Contursi, in 1952.  Homero Manzi was the writer behind many successful films of the time: “Su mejor alumno” (“His best student”), “La Guerra Gaucha” (“The Gaucha War”) and “Pobre mi madre querida” (“My poor beloved mother”), among others. Carlos Gardel also participated in many films in the United States, such as “Melodía de arrabal” (“Arrabal melody”), “El tango en Broadway” (“Tango in Broadway”) and “Luces de Buenos Aires” (“Lights of Buenos Aires”).

Female tango voices

Tango is not just for men: many women entered into the singers world first, and the poets world later. At the beginning, women didn’t use their real name, bur nicknames. When the 20th century began, many women began to be known as composers. Some of them were Julieta Duparc, Juana Giroud Faleni and María Torres Caamaño. Up to that moment, bandoneon, the soul of tango, was played only by men. Until Paquita Bernardo showed with her ability with the instrument, that women could be very good at it, too. Two revolutionary female personalities in tango were Rosita Quiroga and Azucena Maizani. Also Libertad Lamarque was one of the most recognised tango voices, she appeared on many films and she was famous all across Latin America. Mercedes Simone was said to be the feminine version of Gardel, because of her precise intonation, and is still considered to be the most perfect female tango singer ever. During the 20s and the 30s, the number of female names related to tango, grew. Some of the most famous singers were Tita Merello, Ada Falcón, Mercedes Carné, María Esther Podestá, Eva Franco.
 

Thanks to Noelia López for her collaboration.

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