Violin player, director and composer. 
He was born on November 16th, 1888 in San José de Mayo, Uruguay, the son of an Italian inmigrant who, because of their economic difficulties, decided to come to Buenos Aires. Canaro had to work since he was very young. When he was a teenager he began working in an oil tin factory. But his musical calling was very strong and made him improvise a violin with an oil tin from the factory he worked in. With a wooden mast he did the tuning fork and he also used an improvised arch, but the instrument was usefull to began learning until he could afford a real violin. He made his debut with Vicente Loduca and Samuel Castriota at the corner of Suarez and Necochea streets in La Boca suburb. In 1910 he was a member of  a group directed by Vicente Greco. Some time later he formed a trio with the piano player José Martinez and the bandoneon player Pedro Polito. In 1925 he made his debut with his orchestra in Paris, where his musicians had to be dressed up like "Gauchos". In 1940 he obtained the Argentine citizenship, that was his way of thanking Argentina for everything he had been given. His nickname was "Pirincho" and his orchestra was one of the most renowned of Argentina. According to Horacio Ferrer "He mantained through all his instancies an unmistakable sonority". Some of his tangos were: "Tiempos viejos" ("Old times") (Lyrics by Manuel Romero, 1926); "Madreselvas ("Honeysuckle") (Lyrics by Luis César Amadori, 1930); "¿Donde  hay un mango?" ("Where is the money?") (Lyrics by Ivo Pelay, 1933). He died on December 14th, 1964.


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