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He was born on December
7th,1914 in Buenos Aires. During his youth he combined his medicine
studies with his passion for singing. Finally, he made his debut in
1939 in the orchestra "Los Indios" ("The
Indians") of Ricardo Tanturi, using the nickname Alberto Dual
but later on he changed it for the one we all know. Castillo was
different from other singers because he gesticulated so much and he
also had a good voice. In 1944 he broke up with Tanturi and formed
his own group. He had successful appearances on some films:
"Adiós Pampa mía" ("Goodbye my Pampa") in
1946; "El Tango vuelve a París" ("Tango comes back
to Paris") in 1948; "Un tropezón cualquiera da en la
vida" ("A tripping anyone could always have") in
1949. He had a very
distinctive wardrobe. He was called "El cantor de los cien
barrios porteños" (“Singer of the houndred porteños
neighborhoods”) and he was a symbol for the poor social class.
Nowadays, he is more than eighty years old but he maintains his
usual ceremony: he climbs on stage, gives a few steps, pull out his
shirt sleeves, touches his heart, gives a step back, puts his left
leg forward, puts his body forward, and with one
hand in his pocket and the other one next to his mouth he
starts with his verse: "Yo soy parte de mi pueblo/ y a él le
debo lo que soy. / Hablo con su mismo verso / canto con su misma
voz." (I am part of my people / and I owe them what I am / I
speak with its verse/ and I sing with its voice.). And right away he sings: "Cien barrios porteños/ cien barrios de
amor/ cien barrios metidos/ en mi corazón." (“One
hundred porteños neighborhoods / One hundred neighborhoods of love/
one hundred neighborhoods
/ in my heart.) He never took singing lessons: Alberto Castillo, the
most "Arrabalero" singer that tango had is a Doctor in
Medicine. "I
always sang what came from my soul. I sucked tango in the streets,
at the corner, in bars." He was the first singer that walked
along the stage, that sang with all his body. Albreto Castillo
always liked to emphasize tango´s lyrics, to show the pauses,
underline the gestures. He was the first that made phrasing with his
voice, and he likes people to recognize it. When someone does, he
smiles and answers: "You know what? I am a bandoneon that
sings."
- Castillo on the film "Musica, alegría y amor"
("Music, joy and love")
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